Public Service Announcement

Remember this?

Well, I fussed over the yarn pile for about a week, and finally managed to put one project together that is now on my loom. It is some sort of wrap - I am not sure what kind yet. That is yet to be determined.

The burnt sienna color yarn is an wool-alpaca blend that I got from Zeilinger's Wool Mill several years ago when we were in Michigan. The pink is Romney from my friend Rusty's sheep.

The Romney dye color is a light red - I think I probably used Jacquard Scarlet diluted. The pink has a slight orangy tint.

When I washed the wool-alpaca blend yarn after I spun it, a lot of dye came out of it, and the result was the alpaca in the yarn got dyed just about the same pink as the Romney yarn turned out.

I wanted a drapey fabric, so the yarn is set at 5epi. and I am beating it to square. Beating is actually not an accurate statement. Placing is more like it. The weaving is going really fast since the fabric is so loose and it is plain weave.

And now for the Public Service Announcement.

Do not, under any circumstance, spread your handspun yarn all over the floor and leave it for a week.

 I am not sure what the exact yarn gestation time is, but in a week it breeds.

What came out of three plastic tubs, will now only fit in four.

I think I am walking backwards.

It's Not Easy to Be Square

One of the Weaving Guilds that I am a member of - the Dallas Handweavers and Spinners Guild, is sponsoring a study group on the Overshot Weave structure. As a fairly inexperienced weaver, I joined the group in hopes of learning something about the weave structure that most people think of when they think of handweaving.

Since I have never woven an overshot project, I decided I should weave a sample just to try the structure out. So, I picked out a design from the book Weaving Designs by Bertha Gray Hayes.

I looked through my yarn stash to see what I had on hand that would work for my little sample and came up with 8/2 cotton. I found several different cotton possibilties for weft.

3/2 Cotton Weft

After some research, I found that an overshot warp should be set like the yarn would be set for a loose plain weave. For the 8/2 cotton, I decided on 18 epi. I put a short warp on my loom - just two and a half yards about 12 inches wide.

Once the weaving began, I quickly discovered that obtaining a nicely squared pattern was not going to be easy. According to the texts I read, the overshot pattern weft should be about the weight of two strands of the warp.

The first weft I tried was the red 3/2 cotton in the first photo. While it looked pretty, the pattern is obviously far from being square.

Next I tried two strands of 5/2 cotton in blue. This was better, but still not square.

In my stash, I had some green 16/2 cotton , so I used 4 strands of it as weft figuring that would be equal in weight to two strands of 8/2 cotton. The result was better but still not square. I started beating my weft in more firmly. I beat as hard as I could. The pattern got closer to square, but still it was not there. You can see in the photo where I started off beating not as firmly and toward the top began beating harder.

At this point I was a bit frustrated. I started thinking of things that might make the weft beat in better and decided a temple would do it. So, I used my temple to keep the warp spread to it's maximum width - by this time I had switched to two strands of navy 8/2 cotton - and the result was almost square. But, it was still not square enough.

More frustrated, I got out my Peggy Osterkamp books, and found out that my weaving method is not what she recommends. I had been told when I started weaving to always beat the weft in on a closed shed. That's what I have always done, and so far it worked.

Peggy Osterkamp's recommended way to weave is that you beat - or rather place your weft - on an open shed, then immediately change to the next shed. The theory is that you place your weft with the beater while the warp is as wide as the reed makes it be, then before you move the beater away from the fell, change to the next shed.

Peggy's recommended weaving sequence is throw the shuttle, beat the weft, change to the next shed the push the beater away from the fell. Peggy also recommended a very tight warp.

I decided to give these suggestions a try.

I tightened my warp. I tried out the new weaving sequence - very slowly. I found my weaving rhythm really out of sync, but I made myself keep on going. It was worth the effort because my design is finally square.

I am still out of sync, rhythm wise, but I am not sure you can ever really get a rhythm in an overshot pattern. The treadles are constantly changing and the shuttles are changing as well. I suppose time will tell about that.

Sometimes, I learn really unexpected things when I am trying to learn something else.

Now I wish I had made that sample warp a little longer.

Ellie's Loom

First a little history:

Sometime probably in the late 70's or early 80's there was a weaver named Ellie who bought a new 45 inch 8 harness Herald loom with a sectional beam. I am sure Ellie dreamed of all the wonderful things she would weave on that loom.

Life must have interfered, because she never go around to weaving on her new loom. It never had a warp.

This year, Ellie, whose memory is failing, moved to assisted living. The unused loom remained behind, stored in a garage with only rats and mice for company. The harnesses collected a little rust.

Ellie's close friend and neighbor began the hard task of cleaning out Ellie's house. The loom went up for sale to another weaver.

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Over the last several years, I have been teaching myself to weave. When I started, I thought I would never get a 4 harness loom threaded properly. I marveled that anyone would ever want more harnesses.


However, time in the chair has cured most of my early problems with crossed threads and missed headles. So I decided that if a loom appeared with more than 4 harnesses and if it were inexpensive enough to get passed my strong tightwad nature, I would buy it.


I was at knitting group one day talking about this to some other weavers, and I told them that I was convinced my new loom would find me.


Then, over a week ago, there was a posting to both Weaver's Guilds that I belong to that there was an 8 harness loom for sale. The price was right but I hit delete on the emails because I just had no time to investigate the loom. I was going out of town for several days so the timing was just all wrong.

My friend Kay, of Cordova Studios, also knew that I was looking for a loom, so she kindly forwarded me the email announcement which I saw for the third time. I hit delete. I was just too busy to look into it.

I thought about it all weekend while I was gone. I finally decided that if the loom was still available when I got back (and I thought that was unlikely) that I would check on it and go look at it. So I did.


The loom had not been sold to my surprise. No one had even looked at it. When I saw it, I knew my loom had indeed found me.

It took me a day to get it cleaned up. My husband has adjusted the brake. I think it is ready to warp.

I am now re-reading all my weaving publications, paying attention to all the new possibilities that 8 harnesses bring. I think it will keep me busy for a long time.

Now to get a warp on it!

Weaving from the Viking Era

My third project from the Fall 2009 issue of Handwoven Magazine is off the loom and has been distributed as Christmas Gifts to a few special relatives and friends. The Viking Era Twill Towels were a big hit and were some of my best weaving to date.

There were six towels on the warp, and I wove them with alternating weft colors so I would know where one stopped and the next one started. Half the towels have a light blue weft and the others have a cactus green weft.

The towels are from 2/8 Cotton set at 24 epi. This made a firm fabric which should be perfect for the job they need to do.

My towels finished at 15" wide rather than the 16" that the author got. The finished length was also shorter - about 22" after hemming each end with a 5/8" hem rather than the 24" long for the original.

It did take me a bit to get into the rhythm of the treadling. I found I had to pay close attention to what I was doing to get the treadling sequence correct and to catch the floating selvages properly. That meant no podcasts while I wove, so I am woefully behind on a lot of my favorites.

My Husband still does not understand why anyone would weave dishtowels. I have told him that they are wonderful to use. Besides, they are a great way to explore weave structures, yarns and setts.

All in all this was a fun project that inched me along the learning curve to being a real weaver.

Drop in the Bucket Stash Busting

The Fall 09 Handwoven magazine contained at least four projects that appeal to me. The first one, the Budget Bamboo Shawl is off the loom already. Since the weaving weather is very good for being in my non climate controlled studio, I have rushed to get another project on the loom from the Fall 09 issue.

The new project is the Stash Busting Placemats which is now warped and the weaving is in progress. The sad thing is that I don't think my stash will actually see a big reduction. In fact, I think I have a net increase in stash since I did not have the 8/2 cotton used in the warp for these mats - so that FORCED me to go shopping closeouts at Webs.

However, I did uncover a cone of Cotton Flake in my stash that is going to give these just the look I wanted. I love the colors of this flake. The mats, in progress, are looking just the way I envisioned them. They are going to make a nice gift for someone on my Christmas list.

For the warp of these, I used one strand of navy blue and one strand of chocolate brown. In the weft I have 2 strands of navy blue, one strand of chocolate brown and 3 strands of the cotton flake. Laura Fry, the designer, used two strands of Cotton Flake in her sample, but I wanted mine a bit more hefty so I have opted for 3 strands.

The pattern did not really talk about how many picks of plain weave to use after the hemstitching, so I chose 3 for a total of 6 picks of plain weave. The pattern is a broken twill and I really love it. It is making a nice fabric for a busy yarn, so I will probably use this draft again

I have one mat woven and am ready to hemstitch the second one.

I am already queuing up the next project from this Handwoven issue. I can mind weave really fast. Too bad the weaving goes much slower or my stash might actually be in trouble!

Off the Loom

My Budget Bamboo Shawl is complete! It is off the loom, fringed, washed and pressed.
It was a fun project - one of those that made me want to do more weaving. The finished fabric is soft and very drapey.


It wove very quickly. I analyzed the tie ups and draft and discovered that I really only needed 3 treadles tied up. I rearranged those so that when my shuttle was on the left, I used the far left treadle, and when my shuttle was on the right, I used either the fourth or sixth treadle depending on where I was in the weaving sequence.


Other treadles were tied up in the draft, but they were for weaving some alternate designs with the same pattern. I decided to stick to the treadling sequence used for the sample in the magazine, after I looked at the alternates in my weaving software.

I bought 6 balls of the Aunt Lydia's Bamboo Crochet yarn and used most of 5. It took almost all of 3 balls for the warp, and 2 balls for the weft. I tried to pay attention to the 15 ppi which meant a light touch on the beater.









I did make a few weaving mistakes that I did not catch while I was weaving. I would have unwoven a ways to correct then if I had seen them. I will chalk this up to being a beginner - although with each project complete, I am farther along the path to being a real weaver.

I don't think the mistakes will matter in the long run, and I will improve next time.

As far as I know, I am the only one in our Weave Along who is done with the shawl. I don't think the others have their warps on the loom yet.

I am planning my next project already. I have my sights set on the Stash Buster Placemats in the same issue of Handwoven (Fall 2009). I really love this issue of Handwoven. After the placemats are done, there are still 2 more projects in that issue of the magazine that I want to try.

These projects will all end up as Christmas presents. I just hope I can get done before the cold weather hits because then my '"weaving studio (a. k. a the garage) " becomes too cold to use.

Blame it On Charlene

In September, Peggy, Kate Faye and I went to the Cajun Lagnaippe Fiber For'em. This is a nice little fiber festival held at a camp in southwest Louisiana.


The For'em features lots of great classes including Weaving, Bobbin Lace, Sock Machine Knitting, and Machine Knitting taught by Yours Truly. The teacher of the Beginning Weaving Class, Charlene, had this bamboo shawl as one of her samples. She wove it from the directions in the September/October 2009 Handwoven Magazine, called the Budget Bamboo Shawl.


The shawl is made from Aunt Lydia's Bamboo Crochet Cotton. It is woven in Bronson Lace (new for me). The yarn costs less than $15. It is available at Wal-Mart, JoAnn's and Hobby Lobby.

Charlene had deviated from the pattern and used a cream color for the warp and white for the weft, and the subtle difference gave the shawl lots of depth. Kate, Peggy, Faye and I all loved it, so we decided we would all weave it in a Weave A Long or WAL.


So, we all got the yarn and two Wednesdays ago at spinning we began winding our warps. I was able to finish winding mine, and I believe that Kate and Peggy have theirs wound too.


This week, after finishing my Scarf Jail Scarves (that is a whole nother story), I began warping my loom. The loom is a very old Le Clerc Nilus that I think was made in the 1950's or 1960's. It was a school loom, and I am sure could tell lots of stories if it could talk.

I am a process person, so I am always looking for a new twist on stuff. Never mind that I am a beginning level weaver with less that a dozen warps under my belt. Last year I ordered the Singing Weaver's (Nadine Saunders) Warping on a Shoestring video, and I also ordered Peggy Osterkamp's Warping from the Back Video, as well as her book on warping. So, armed with all this information, I decided to branch out (since I am so NOT an expert on warping from the front of the loom) and break out my new raddle to put this warp on from the back using a combination of Peggy and Nadine's techiques.


Nadine uses shoestrings for lots of things when she weaves. She ties the warp to the back apron with shoe strings, and she also ties the warp to the front apron rod with shoestrings. It takes a bunch of shoestrings for her technique and I had shopped Ebay and ordered mine last spring from someone who had some close outs (can't imagine why red and green plaid sparkly shoe laces would have been on close out). I think I paid less than $10 for 40 pairs. You can see them in the photo and even see the glitter!


So, the photos show my warp going on the loom from the back with the raddle in place (Peggy O does this a little differently and I might try her process next time). It also shows my completed tied on warp and glittery shoestrings!


A gadget I got, that I highly recommend is the Auto Reed Hook. This tool is a must have - though a little expensive, it is well worth it. This was the first time I had used it. That hook cut my reed threading time by 2/3rds at least. I LOVE it. If you are a weaver, put it on your Christmas list.


So today, I tied the warp on to the front beam with the shoelaces and a snitch knot a la "Warping on a Shoestring". I found it very easy to remove the knots and correct the two crossed in the reed threads, and I believe I am now ready to weave the shawl.


As a side note, two errors in the threading is the least I have ever had! I must be improving with time in the chair.


The next thing to conquer is hemstitching since the shawl is hemstitched on both ends, and you start with the hemstiching before the weaving.


I will be weaving on the shawl tomorrow!

Peggy, Faye, Kate and Marlene get busy! I want to see your progress. This is a Weave-Along, not a Weave-Alone!

Charlene, see what you have started?

Baby Blankets Completed!

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This was a really fun project, perfect for my level of weaving expertise - which is not much. I think this is the fifth warp that has been on my loom since I have owned it.

Since the yarn was not expensive ($15 for everything) and there was no sizing pressure, I could just relax and enjoy the entire process. I am so glad that Leigh inspired me do do this. We all need to have this sort of project that is not intended to be impressive, but just to enjoy. In fact, I am so tempted to go out and beam up another couple of blankets while the weather is temperate. Pretty soon, I won't be able to weave because it will be too cold in the weaving studio garage.

Project Data:

Width in reed: 36"

Warp length: 3.5 yds

Finished width before washing: 32"

Finished length before washing: 90"

Yarn: Bernat Baby Coordinates, Self Striping in Pink and Purple, 404 yds per skein = 5.25 oz, Sport Weight, Yarn weight symbol 3

Number of skeins used: 5 for weaving, 1 for edgings.

Sett: 8 epi

Warp ends: 292 last 2 dents doubled on each side for selvage.

PPI: half at 8 and half at about 12

Weave Structure: Plain Weave

Breakthroughs: It is possible to get a warp on the loom without missed dents and crossed threads. This is a first for me and I hope a trend.

Lessons Learned:

• Watch PPI when beating. Aim for balance.
  
• When using a patterned yarn, pay close attention to the way the shuttle bobbins are begun and stopped to avoid uneven patterns or striping in the final woven project.

When I finished weaving the length for the first blanket, I noticed I was really eating up the weft yarn. I finally realized that my PPI was about 12 instead of being an even 8 to match the sett. So, on the second blanket, I made an effort to beat more lightly and get to about 8 PPI.

I was then worried that the first blanket was going to feel like a board when it came off the loom. After washing and drying, I can not tell that much difference between the two. Both are nice. When I examine the second one I can tell the PPI is looser, and the hand is more drapey, but the first one is fine as well. The babies who get them should be very snugly.

The crochet edgings are done and I have blocked both blankets. It has been a while since I crocheted, and I had forgotten the rules for spacing the initial row of single crochets.

On the first blanket, I got the single crochets too close together. When the rest of the edging was added, it rippled a little bit. So, on the second blanket I stretched the sc's out a bit and when I got finished the edge was pulling in a little.

This was all fixed with steam. Both of them look wonderful after blocking. The edgings took almost an entire skein of yarn. Crochet really eats it up.

Edging Patterns:

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Blanket 1: Base row 1 - Begin in the middle of one side,SC around blanket edge, 3 SC in corners, sl ends together c2, turn. R2 - HDC around 3 HDC in corners, sl end together. Ch 3 turn. R3 - *Skip 2 st, 3 DC in next st. Repeat from * around. At corners add a ch 1 between the DC clusters and make them come out close to the corner. Join with a sl st. Ch 1 Do not turn. R4 - Crab stitch around putting 1 st in the top of each DC from the row below and 1 in corners. To crab stitch, work sc from left to right - opposite the normal direction



Blanket 2: Base row 1 - Begin in the middle of one side,SC around blanket edge, 3 SC in corners, sl ends together c1, turn. R2 - Sc around with 3 SC in corners sl ends together. R3 - HDC around, 3 HDC in corners, sl ends together, ch1 turn. R4 - SC around, 3 SC in corners, Sl end together, c3 turn. R5 - 2 DC in same stitch as Ch, (sk 2, Ch3, 2DC in next S). Repeat between () around. Fasten off.

Let the Weaving Commence

Inspired by Leigh over at Leigh's Fiber Journal, I decided to weave some baby blankets out of good old acrylic yarn in plain weave.

I am not a very experienced weaver, and I figured it does not get much simpler than this. I think this is the fourth warp I have put on my loom so every one is a learning experience.

The yarn I picked is Bernat Baby Coordinates Sweet Stripes in a pink and purple self striping colorway. The stripes are fairly long, so I figured the blanket will at least not be too boring. I bought 4 skeins of yarn, and may need another one. It is plentiful if I do so I am not too worried about it. I plan to finish the edges in crochet like Leigh did with hers.

I made the warp three and a half yards long and plan to get two blankets out of it. The warp used about two and a half skeins. of yarn. I am using a sett of 8 epi. I have spent the last week in spurts in my weaving studio (aka the garage) putting the warp all across my 36 inch 4 harness loom. I have to time my weaving to days when the temperature is pleasant. Fortunately, the weather here in Texas is beautiful right now.

I am a very slow warper, but that does not mean I don't have mistakes. The last time I warped the loom it took me about 10 hours to straighten out all the crossed threads and threading errors. I must be getting a little better at it, because this warp had no crossed threads at all. (of course this time I threaded the loom 1-2-3-4 all across) I was able to tie on and start my weaving.

When I warped the loom, the warp colors got randomized, because I still can not hold the warp and thread the reed in order - a la Debbie Chandler's instructions. (did I mention I am a self taught weaver?) I have a random number of pink then purple threads all across the warp. If I had been going in order, I suspect it would have been about 3 threads each color in a straight pattern but we will never know.

Today, I finished tying the warp on and started weaving with the self striping yarn. What I had not thought of was winding the shuttle bobbins with a plan. The self striping yarn makes even stripes, and before I realized the consequences, I got one stripe that is not the same size as the others. I don't think the baby will care though so I am leaving it in.

Now when I wind the bobbins, I have a definite starting and stopping point on the yarn pattern and I think the rest of the stripes will be about the same size based on how hard I beat. I have not quite mastered keeping that even yet. I think it is another case of more time needed in the chair.

The baby shower is 2 weeks away. There is nothing like a deadline for motivation.